But, be warned, like The Wicker Man, it is quite likely to test your dreams of leaving the city for a shady nook by a babbling brook.' Adaptations Films Reception īob Stanley of The Guardian wrote that ' Ritual's opulent dialogue, with the sickly richness of its countryside, and Pinner's decaying village, can stand alone from the book's illustrious successor. While driving to his agent's office with the only completed copy of Ritual in existence, Pinner accidentally left the manuscript on the roof of the car it would most likely have fallen off and been lost forever if another driver had not alerted Pinner to his mistake. He would write sections of the novel on the tube train on his way into the West End, and even on his dressing room floor. Pinner wrote it in seven weeks, while he was still acting in The Mousetrap. Ĭlowes suggested that Pinner instead expand Ritual into a novel, promising that he would get it published. However, Winner deemed the treatment to be 'too full of imagery', and Pinner's agent, Jonathan Clowes, felt that Winner might sit on the project for a long time. Film director Michael Winner liked Pinner's Ritual treatment, and considered making it his next film, with English actor John Hurt in mind for the lead role. He decided to write a film treatment that dealt with the occult (like Fanghorn) but which was also a detective story (like The Mousetrap). In 1966, when Pinner was 26, he had just written the vampire comedy Fanghorn, and was playing the lead role of Sergeant Trotter in Agatha Christie's The Mousetrap in the West End of London. During his short stay, Hanlin deals with psychological trickery, sexual seduction, ancient religious practices and nightmarish sacrificial rituals. Ritual is a horror novel by British actor and author David Pinner, first published in 1967.Īn English police officer named David Hanlin-a puritanical Christian-is asked to investigate what appears to be the ritualistic murder of a local child in an enclosed rural Cornish village.

Ritual pinner novel